Australian owned & made · Dispatched in 7 days · Ready to hang

How it's made

Gallery framing, not factory framing.

Every piece is printed, matted and framed by hand in Australia by Guild-recognised framers — the same way a gallery would prepare it.

The process

Six pairs of hands, one piece

01

File check

Your artwork is checked for resolution and colour before anything prints.

02

Giclée printing

Printed on archival fine-art paper or canvas with pigment inks.

03

Matting

Museum-grade matboard, cut to your piece. Float mounts for works that deserve air.

04

Framing

Timber mouldings cut and joined by hand — never pre-made sizes forced onto art.

05

Glazing & fit

Acrylic glazing, acid-free backing, hardware and wire fitted.

06

Check & pack

A final quality check, then corner protection and rigid wrap for the courier.

Materials

Chosen to outlast trends

Archival papers, conservation matting and real timber. Nothing that yellows, warps or shatters.

Explore framing

PAPERS

Archival fine-art stocks, from smooth art paper to textured cotton rag.

INKS

Pigment-based giclée inks for depth and longevity.

MATTING

Museum-grade and conservation matboard, acid-free throughout.

TIMBER

Australian oak, Meranti and Italian gesso mouldings, hand-joined.

GLAZING

Clear or UV-protective acrylic. Never glass — nothing to shatter in transit.

The frames

Corners worth looking at twice

All mouldings
Australian oak thin frame corner
Australian oak · thinRaw oak timber
Elisabeth white frame corner
Elisabeth whiteMeranti, matte finish
Pablo black frame corner
Pablo blackItalian gesso
Claude black ornate frame corner
Claude blackOrnate, Jenitry timber
See it yourself

The quality argument ends at your door

Order a sample of your own work at wholesale price and judge it on your wall.

Order a sample